Greengrass would return to the series twice more, first with The Bourne Ultimatum in , then with Jason Bourne in In the first of his several outings as Palmer, Michael Caine is put-upon and bogged down with paperwork. London might have been swinging for other residents, but Palmer still lived in a neighborhood filled with post-War deprivation. He wears thick spectacles, has dubious-looking teeth, and has presumably consumed many a stale beer. Burn After Reading A Coen brothers riff on the spy genre, Burn After Reading is filled with self-mythologizing drunks, unskilled opportunists, and borderline morons.
Each of them loses track of a CD filled with secrets, and some end up dying in the stupidest possible ways because of their incompetence. Army of Shadows There are films that get overlooked, and there are masterpieces that go unrecognized in their own time. The 39 Steps The former finds Hitchcock coming into his own as the creator of tense, fast-paced, cleverly plotted thrillers, following Richard Hannay Robert Donat , a wrongly accused man yep, another one of those , as he traipses from London to Scotland and back again while trying to unmask a mysterious organization trying to steal British military secrets.
The Lady Vanishes proved Hitchcock could be just as effective in tighter quarters. Set largely aboard a train, it finds Iris Henderson Margaret Lockwood facing a sanity-challenging scenario when she discovers that an elderly recent acquaintance has seemingly disappeared as they traveled together on a transcontinental train journey, a disappearance others seem not to have noticed.
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Both films are breathlessly entertaining, revealing a director seemingly capable of drawing thrills out of any setting and the years to come would find Hitchcock challenging himself on this front again and again. Mission: Impossible — Ghost Protocol Until Christopher McQuarrie followed Mission: Impossible — Rogue Nation with Mission: Impossible — Fallout , the series had worked through a rotating series of high-profile directors, some of whom fared better than others.
Abrams confirmed he could make the leap from television to film with the very good Mission: Impossible III. If anything, Bird over-delivered, transporting a gift for dynamic action scenes from his animated films to create the best action movie of this century, from a film-opening prison break through a nausea-inducing trip to the top of the Burj Khalifa and beyond.
He spent the first decades of the Cold War working in British intelligence, growing increasingly frustrated as the years piled up and channeling that frustration into a novel that depicts espionage as a dehumanizing occupation unfit for anyone with a conscience. Directed by Martin Ritt and starring Richard Burton, the film adaptation opens and closes on opposite sides of the Berlin Wall, and its grimmest suggestion is that both are controlled by amoral forces willing to sell out any principle and sacrifice as many pawns as necessary to secure power.
Notorious Tinker Tailor Soldier Spy This Tomas Alfredson adaptation demands close attention.
A surveillance expert with a particular gift for audio work, Caul takes on the challenging job of recording a couple in an open space. Coppola shot The Conversation in the break between The Godfather and its sequel, a period in which he could seemingly do no wrong.
Goldfinger would take the series on a different, and highly entertaining, path just one film later, but From Russia With Love suggests it might have found just as much success staying a little closer to the world we know. Black Book Carice van Houten stars as Rachel, a Jewish woman who survives a massacre at the hands of the SS that kills the rest of her family. Falling in with the Dutch Resistance, she agrees to go undercover in an attempt to undermine the Nazis.
In the confusion of violence and betrayal that follows, Rachel finds some of her assumptions challenged and her life imperiled. North by Northwest Here a case of mistaken identity sends an unsuspecting advertising agent, played by Cary Grant, on a journey across the United States and, eventually, into the arms of Eva Marie Saint. The film offers some never-topped set pieces, but Hitchcock makes them serve his interest in what happens when characters find themselves stripped of everything that makes them feel safe and comfortable.
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